Recently, I spoke to the art director behind Guild War 2 to find out how this everlasting classic game reaches art and design. Further conversations with the role of the game exposed to an interested art hack that is similar to the shadow of the PlayStation’s coles.
When the Guild War 2 team faced a technical challenge in Arenite, while a new coach seat covered in a thick, flafi fur, they do not look at the latest tech to solve.
Instead, the art team turned the clock toward the PlayStation 2 classic shadow of Klossus’ PlayStation 2 classic shadow (one of the best designs of video games). The game became an extraordinary map to solve the problem of modern character design, but I like Sony’s classic classic decades later, inspiring giant and artists are still impressive.
The team behind the Shadow of Coasts, which was released at PlayStation 2, created a unique approach to creating fur on its models. (Image Credit: Scee)
This is the same thing in which the Armantate character’s guidance Adam Hogsit has said “turning back to look forward”, and it seems that there is a mantra for a team that has been working on Guild War 2 for a decade, without any of the most popular players in the world, with a lot of modern sports. One of the hoards.
Adam said, “We had a coach seat in imagination that had a lot of skin.” “So we were trying to think about ways to remove it, in the IDS phase, without using a large amount of fur cards or without trying to use it at all.”
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This model was created by Christopher Leprid for Guild War 2 and shows the shadow of a fur affected by the collagen. (Image Credit: Arenant)
The tail of the Christopher Lipped model shows how Guild War 2 has found a everlasting style that works with his tech. (Image Credit: Arenant)
In real -time graphics, especially in MMORPG, such as Gild War 2, there has been a technical challenge, where performance is constant concern. Fully modeling or dynamically requires enough processing power in artificial skin. Although modern engine offers spoil -based fur, the extent of the old engine of Guild War 2 is the limits. So Adam and the team needed to be creative.
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Adam revealed, “One of the inspirations was the shadow of a collagen,”
Adam explained, “I found a blog where another artist broke the steps to make this technique, and that’s why we just run away like this.”
Technique, Detail in the Blog Post of Artist FrookThe combination of multilateral “fur shells” and alpha transparency to imitate depth and volume. Instead of using individual individual fur stands or cards, this approach creates a transparent geometry layers that provide tufts and mobility illumination. This is a great task to accept limited hardware and Guild War 2 team.
An example of ‘fur round’ to impress depth and volume. (Image Credit: Scee)
After creating a new technique -based material, the Adam and the Arena team began experimenting. “We in fact finished using it for a coach to give some good big flavy skin on different parts.”
Alex Gomez Taylor used the same approach when designing game creature models in the game to provide them with a good dear, sharp body.
The result was not only a more visible appearance but also a new effective workflow, which was influenced by the solution made in the most famous retro games of a play station.
Adam reflects, “It was done for us to use a group of small fur cards placed on the body.”
Creatures as it appears in Guild War 2. (Image Credit: Arenant)
The work that began as a work rapidly became a standard in the team’s toolkit. “It was just a fun experience, and one who worked successfully. We have now used it for numerous arms and organizations and creatures.”
The technical boundaries of Guild War 2 gave birth to a moment of creativity, which led the team to a visually satisfying and performance -friendly solution, which pays tribute to an everlasting classic. This shows how you do not need a well -known edge tech, but sometimes the design and smart approach may make all the difference in the good eye.
“This is a good balance between realism and stylization,” Adam noted. “Even after 12 years, it still looks beautiful.”
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